Munir’s Disney Retrospective - Animated Classic #48: Bolt (2008)

Last Week’s: Munir's Disney Retrospective - Animated Classic #47: Meet the Robinsons (2007).

John Lasseter didn't have it easy when he arrived at the Disney Studio. First, Meet the Robinsons needed a complete overhaul before it could be released in theatres, and then the following film was even more troubled. Bolt was first titled American Dog and it was to be the next project by director Chris Sanders, who co-directed the highly acclaimed Lilo & Stitch (one of the few popular films from the previous era). However, problems in the production led to the removal of Sanders from the director's chair (after which he left Disney and went to DreamWorks) and the team of Chris Williams and Byron Howard taking over. The film was completed in 18 months and, against all odds, it was warmly received and represented another step in the right direction for the studio.

Munir's Disney Retrospective - The Revival Era (2007 - Present) Introduction

Last Week’s: Munir’s Disney Retrospective - Animated Classic #46: Chicken Little (2005).

After a very difficult early/mid-2000s, Walt Disney Animation Studios could've easily ceased to exist and no one would've cared. Yes, the oldest animation studio was in such a crisis that putting it out of its misery was a very viable and merciful option at the time. Thank goodness for John Lasseter. Yes, I just said that. The man often reviled nowadays, John Lasseter, completely rehauled the studio, giving it back its identity, putting it back on the map and making it a worthy competitor to the other animation studios again. He healed the heart of the Disney Company and released a string of films that, step-by-step, created a stronger studio, a confident studio that not only embraced its rich history but also wasn't afraid of trying new things and delivering fresh stories with wonderful characters and heartfelt messages. Better still, the studio was no longer a DreamWorks or Pixar wannabe, but had its own style to differentiate it from the others. That wasn't an easy feat. Critical reception and box office started to grow slowly but surely, and now, seven years after Lasseter took over, the studio is back where it was always meant to be: at the very top of the pack. Whether it's a musical fairy-tale that pays homage to the Renaissance features while also offering something new and exciting, or a completely fresh story set in the video gaming world or a shiny future, Walt Disney Animation Studios has returned from the dead, risen like the phoenix, and taken the world by storm. We can only hope that this comeback will never subside again, as the studio's recent output has been simply outstanding to say the least. Welcome back Disney Animation, I hope you're here to stay!

Watch: John Lasseter Talks Animation, Directors and the Best All-Round Film for Bolt in 2009

"We're a filmmaker-led studio, we're dedicated to the vision of these filmmakers. But the most important thing is we've got to be making a great movie for our audience. And frankly, that's good business. Quality is the best business plan." Those are the words of Pixar and Walt Disney Animation Chief Creative Officer John Lasseter, talking about the replacement of Chris Sanders (Lilo & Stitch, How to Train Your Dragon) early on in the production of, what would become, Bolt, and how it was ultimately best for the film.

The interview with Movies Ireland is over four years old now, but with the current commotion about the replacement of Bob Peterson at the helm of Pixar's fifteenth feature film, The Good Dinosaur, it seems particularly poignant right now.

Editorial: Thank You, Mr. Lasseter. Or, An Analysis of Walt Disney Animation Studios' Spectacular Comeback (2007-2012 and Beyond)

With Disney's Frozen just around the corner, I think it's time to look back and see the slow-but-sure comeback of Walt Disney Animation Studios since John Lasseter took over. With the Disney Company owning some of the most influential brands in the world (Pixar, Lucasfilm, Marvel), the Disney Animation Studios sometimes gets lost amidst its more media-frenzy-inducing siblings. Nonetheless, since Walt founded it back in 1923, the Animation Studio has been, and continues to be, the cornerstone of the Disney company (even if sometimes that's not apparent).

Winnie the Pooh Review - No Bother

This review is of a film that I very much wanted to see, the classically animated and wonderfully charming, Winnie the Pooh. However, as regular blog followers will know, I was unsure how good it would be. I knew a Winnie the Pooh film would be charming, funny and nostalgic, but would it be "the defining film"? Would it be great? Or just good? Would it be purely a nostalgia film, or could it sustain itself? I found that Winnie the Pooh faced some of the same questions that I aimed at Toy Story 3. Fortunately, Winnie the Pooh - like TS3 - did not disappoint.

Are We in The Third Golden Age?

Disney. The word that embodies animation. When you think animation you think Disney and vice versa. Yet, Disney hardly has the best track record when it comes to animated films, sure when you think of Disney animated films, you'll think of the classics; The Lion King, Snow White and the Seven Dwarfs, The Jungle Book, Dumbo, Beauty and the Beast etc..., but since the end of the second Golden Age (or Renaissance) Disney has been a bit down in the dumps. Particularly in the majority of the 2000s we've had a lot of flunks (in terms of critical consensus and box office revenue), with Chicken Little, Brother Bear, Home on the Range and Atlantis (among others) with some exceptions i.e. Lilo and Stitch.

Through all of the turbulence, there's been so much speculation about when - if ever - the third Golden Age of Disney will begin.