This latest A113Animation interview seems particularly relevant given our recent competition to give away a copy of an Art of book. The companion books to most animated films are a great portal behind the screen, giving you a look at the colossal glut of fantastic visual development artwork that goes into a production and that we might otherwise never get to see. When reviewing The Art and Making of ParaNorman and The Art and Making of Hotel Transylvania, one artist consistently stood out to me, Pete Oswald.
Pete's work was colourful, lively, caricatured, playful and full of cartoony energy! So, I sought Pete out, I found his website and sent him an email saying how much I enjoyed his work and asking if he'd mind doing an interview. Thankfully, he said yes - and expressed a great deal of enthusiasm about it too! Pete's a great guy; modest, helpful and very talented, and I'm grateful he took the time to speak to me.
In our interview - which we did via email - Pete and I discuss his role on the two aforementioned films, what working on them was like, his other work (including The Ricky Gervais Show!), working on Cloudy 2 for Sony right now, and broader animation. Check it out after the jump break!