Showing posts with label Rhythm and Hues. Show all posts
Showing posts with label Rhythm and Hues. Show all posts

Wednesday, 27 February 2013

Editorial: The VFX Dilemma

This is what most modern blockbusters would look like without
VFX.

2012 was a great year for animation, we saw a plethora of exciting animated films and some of the most stunning computer-generated creations ever conjured up on-screen in big budget blockbusters like The Avengers, The Hobbit and Life of Pi. Yet, amidst the awe, between the breathless delight of movie-goers, the artists behind a large portion of these films are struggling. It's a tough market; the work has to be done superbly, it has to be done quickly and, as Oscar winning director Ang Lee hopes, it often has to be done cheaply. As such, the visual effects artists behind creations like The Hulk and Richard Parker often have to work exhaustingly long shifts for little practical reward.

Monday, 25 February 2013

Oscar Results: Brave and Paperman Win

Directors Mark Andrews and Brenda Chapman accept their Oscar. ©A.M.P.A.S.

Yesterday was the night of the 85th annual Academy Awards. Hosted by an animator, it was a big night for animation - yet also a rather bittersweet one given the current turmoil in the animation and VFX industry, highlighted by a protest in Hollywood just prior to the ceremony.

Sunday, 10 February 2013

66th Annual British Academy Film Awards Predictions


Tonight's the biggest night of the year for British film, and quite a prestigious one for film in general. From 9 PM (GMT) on BBC1, the 66th annual British Academy Film Awards will take place - hosted by Stephen Fry - as BAFTA honour the best in film of the last year. As such, it's time for A113Animation to offer up our predictions (if you're interested in our own picks, check out the nominations for the 3rd annual A113Animation Awards).

How it works with our predictions is that the films I think should win are in bold, but the films that I think probably will win are underlined. Check them out, starting with animation, of course, below. If no prediction is offered, it's because it's a category I'm clueless about/haven't seen any of the nominees for, and the nominees are listed purely for informative purposes. The results will be highlighted in gold as and when they occur.

Wednesday, 6 February 2013

Brave Wins Big at VES Awards


At yesterday's 11th annual Visual Effects Society Awards, Pixar's Brave got some much deserved awards recognition, taking four of the prestigious awards home from the ceremony at the Beverly Hilton.

Friday, 18 January 2013

Interview: Erik-Jan de Boer, Oscar Nominated Life of Pi Animation Director


Last week, the morning after the Oscar nominations were revealed - with Life of Pi amassing the second most nominations with eleven (behind only Spielberg's Lincoln) - I had the opportunity to interview one of the key people behind one of the film's most spectacular aspects: its visual effects. Life of Pi seems almost locked to take home the Best Visual Effects Oscar, so I was very excited to get the chance to speak to the film's newly Oscar nominated animation director, Erik-Jan de Boer of Rhythm & Hues studio.

Rhythm & Hues have received previous Oscar nominations for The Chronicles of Narnia: The Lion, The Witch and Wardrobe and The Golden Compass (winning for the latter) and have cemented themselves as arguably the top VFX house around for creating believable and realistic animal characters. They've outdone themselves, however, with their endeavours in Life of Pi, creating - alongside the magnificent ocean scenes and a great many other animals - a full, photo-realistic and utterly convincingly animated tiger with Richard Parker.

My thanks to Scot Byrd at Rhythm & Hues for setting the whole thing up, and lots of thanks to Erik for taking time out of his day (particularly given how hectic it surely was after the studio had just earned another Oscar nomination) to answer my questions so graciously.

Topics covered in our exclusive interview include the approach to Life of Pi's visual effects and how Richard Parker was created, the different techniques to creating VFX compared to creating an animated movie, whether Rhythm & Hues would ever consider following in ILM's footsteps - who branched out to feature animation last year with Rango - by making their own animated film (spoiler: they are!), working with director Ang Lee, the Oscars and more! Check it out below.