Yesterday was (apparently) International Dog Day. So, in recognition of that, USA Today released an exclusive look at the canine star of Walt Disney Animation Studios' next short film, Feast! So, meet cute little Boston terrier Winston!
Showing posts with label Kristina Reed. Show all posts
Showing posts with label Kristina Reed. Show all posts
Thursday, 28 August 2014
Meet Wisnton, The Star of Disney's Upcoming Short Film, Feast
Yesterday was (apparently) International Dog Day. So, in recognition of that, USA Today released an exclusive look at the canine star of Walt Disney Animation Studios' next short film, Feast! So, meet cute little Boston terrier Winston!
Labels:
Disney,
Feast,
Kristina Reed,
Meander,
Patrick Osborne,
Short Film,
USA Today
Tuesday, 31 December 2013
Bolt Co-Director Chris Williams Joins Don Hall at Helm of Big Hero 6
Perhaps mirroring the production of their current mega-hit Frozen, The Hollywood Reporter has announced that Disney have added Chris Williams, who co-directed 2008's Bolt with Tangled's Byron Howard, as a director of their upcoming Marvel-adaptation Big Hero 6, alongside existing director Don Hall (Winnie the Pooh).
Labels:
Big Hero 6,
Chris Williams,
Disney,
Don Hall,
Kristina Reed,
Marvel,
Roy Conli,
THR
Thursday, 9 May 2013
Monday, 25 February 2013
Oscar Results: Brave and Paperman Win
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| Directors Mark Andrews and Brenda Chapman accept their Oscar. ©A.M.P.A.S. |
Yesterday was the night of the 85th annual Academy Awards. Hosted by an animator, it was a big night for animation - yet also a rather bittersweet one given the current turmoil in the animation and VFX industry, highlighted by a protest in Hollywood just prior to the ceremony.
Thursday, 28 June 2012
First Look at Disney's Paperman
The short film, which is set to precede Wreck-It Ralph later this year (or the start of next year in the UK), is making waves for its revolutionary animation technique, which fuses hand-drawn animation with computer animation, combining "the dimension and depth of digital animation with the abstract warmth of traditional line-art. The result is a world seemingly sculpted out of sketches."
The article also offers up some insight into, and the inspiration for, the techniques behind the short's animation:
“Drawing can have a really powerful, visceral effect on the viewer. You can create anger and surprise or anguish with just a few lines of a pencil,” says director John Kahrs, an animator on The Incredibles and Tangled. “But it can’t just be the same thing it was. I think for 2-D to be revitalized, you have to figure out a way to make it new again.”
It also provides some insight into the animation software behind Paperman, Meander:
"Disney used new in-house technology called Meander to build the world of Paperman. First the characters and backgrounds were rendered digitally, and then hand-drawn art was layered over those shapes, giving the figures a kind of 3-D quality unseen in old-school animation. “What you’re seeing is a very stylized CG layer [underneath], but the feel of the image is very flat and lives in between the two,” Kahrs says."
Finally, I'll leave you with perhaps the most telling comment of all, from producer Kristina Reed:
“If this short had come out with The Little Mermaid, everyone would be excited about the CG,” says Reed with a laugh. “Now here we are in the early part of this millennium, and what we’re celebrating is going back to the handcraft.”
It's a fantastically rivetting read and Paperman promises to change a hell of a lot for animation at Disney! Be sure to read the full article over at EW.
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