Monday, 7 May 2012

The Corner - Heather Reviews The Avengers



Where can I start? Where can I possibly start? Starting at the beginning would require delving back to 2008, when Iron Man and The Incredible Hulk were released. These two films were the beginning of a Marvel-lous work of cinema. Following the aforementioned films came Iron Man 2 (2010), Thor (2011) and Captain America: The First Avenger (2011, also). This was the beginning of the Avengers… It was here the Avengers were to, indeed, assemble.


Directed by Joss Whedon (who helped write the Toy Story 1 script; produced hit TV series Buffy the Vampire Slayer, Dollhouse and Firefly) meant that great things were expected. And boasting a cast of incredibly talented actors – Robert Downey Jr. (Iron Man); Chris Evans (Captain America); Mark Ruffalo (The Hulk); Chris Hemsworth (Thor); Scarlett Johansson (Black Widow)… etc, put a lot of pressure onto what was already expected from this film: wonders. It definitely delivered. Another point worth making: so many superheroes. In a one-superhero film it seems perfectly… perfect, seeing them take the limelight. In The Avengers, so many heroes – who was to dominate? Chris Hemsworth (Thor) was interviewed by Empire Magazine and quoted saying “It’s not an easy mix. They [the characters] all have some friction”. However, Whedon pulled it off…

I must say, I expected action-action-action-serious-save-the-world. Instead, there were genuine moments in which the whole cinema-audience were laughing: the children, the teenagers, the grandparents… It was brilliant. Of course, even Whedon has the One-Liner illness, but it was very much appreciated in this case. Of course, being the witty, handsome, rich, ex-weapon-maker, Tony Stark (Downey Junior) was given most of these. The occasional “guys, I’m bringing the party to you” and “I don’t play well with others” was much appreciated. The Hulk, terrifying at times, also proved to be a character that could inspire hilarity to the point of hysteria – unfortunately, Loki found out the wrong way that the Hulk could indeed “bully” a God.

The camera work was stunning; the acting was stunning; the music was stunning. There is so much to praise.

 The Avengers follows another of Earth’s plights – honestly, will we ever not be the target of an alternate race?! – this time the product of Loki’s unwanted administrations. Loki steals the Tesseract (an object creating a portal from Asgard to Earth) and uses it to unleash an army unto Earth, hoping – in typical villain style – to conquer Earth with his army and allies. However, one thing Loki couldn’t possibly have foreseen: The Avengers. All of the superheroes gathered to make a team, a rescue-mission for Earth. Or, as The Hulk (Ruffalo) put it: “not a team, we’re a time bomb”. Sure, the crew have rough patches – which friendship groups don’t? Friendship groups. Yes. That’s what they are like: there’s the one who acts like a prat, and in doing so, becomes wittily charming – that would be Tony Stark (Downey Jr.). Then there’s the one who doesn’t get on with him – Captain America (Evans). Then you have the geek, who they use for science as well as credit – Hulk. The two assassins, which friendship group doesn’t have assassins? – those being Hawkeye (Jeremy Renner) and Black Widow (Johansson). Then there is Thor.

Confession time: I love Thor. There we go. Deep breaths. I am limiting myself to that little smidgen of adoration. Be thankful.

And of course, the leader of this rag-tag gang? It could only be Nick Fury, played incredibly well by Samuel L. Jackson. Jackson has this character down to a ‘T’. He masters the brooding, commanding Fury, rocking the eye-patch all the while. It is hard not to appreciate acting like his, where he has obviously thought long and hard about his character, and it shows.

I’m going to stop ranting and raving now, because it could get out of hand, especially if I start on Thor again… He is wonderful, though. Acting skills, heroic-abilities and all. Sorry. I digress.

Ten out of ten. Nothing less. If there was an eleven, it would be that. Highly amusing, but not too much, filled with action, likeable characters – and legitimately unlikeable characters – brilliant acting and directing. High standard.

I wouldn’t expect anything less.

Classic Cartoons #5 - Steamboat Willie



I'm sure using this short film now will come back to bite me when I do my Bitesized Biography of Walt Disney and am in need of a short film to pair with it, but today's Classic Cartoon is the third Mickey Mouse cartoon, but the one that is often regarded as the mainstream debut of the famed mouse, the cartoon that put Walt Disney on the map - Steamboat Willie.

I'm currently amidst reading the biography of Walt Disney by Neal Gabler and what it stresses heavily, and what comes through when watching this short film, is how important this short film was to the early years of Walt Disney Animation Studios. Released in 1928, Steamboat Willie was the first Mickey cartoon to be distributed, and became a phenomenal success - much needed after a string of knock-backs and failures from the Disney studio; Willie provided them their big break. Steamboat Willie was the first Mickey to be synchronised with sound, and whilst that was surely a contributing factor in its success, another surely is the fantastic characters and timeless storytelling. Though quite the little sadist here, using animals as musical instruments, Mickey was and is a sign of the eternal optimism and childlike joy that Disney himself represented. The story, simple in premise, remains brilliant today, at 7 minutes, the short flies by and remains possibly the truest definition of a Classic Cartoon.

Inducted into the National Film Registry, to be preserved forever, in 1998, the starting sequence of the short is now widely recognisable for its prefacing of Disney animated releases. Steamboat Willie is the epitome of classic Disney storytelling.

Thursday, 3 May 2012

Brad Bird to Direct New Film for Disney


Brad Bird, who rose to fame at Pixar directing The Incredibles and Ratatouille - after previously directing The Iron Giant - whose most recent film was the fourth instalment in the super successful Mission: Impossible franchise - Mission: Impossible - Ghost Protocol - has just been announced to be working on a mystery project for Disney.

Via Indiewire and Deadline, we have learnt that the Ratatouille director is now helming a film for Disney called 1952. Not to be confused with 1906 - the film Bird has been working on for a while about the San Francisco Earthquake of 1906 - the script for 1952 is being penned by Lost and Prometheus scribe, Damon Lindelof.

Other than this interesting and exciting pairing, we know little about the film - possible scenarios include that 1952 was the year that the first hydrogen bomb was detonated, and a killer fog descended on London; but this is pure speculation. But here's hoping it bodes better than Andrew Stanton's John Carter did for Disney.

At any rate, Bird has never let us down, and I can't wait to hear more about this in the future!

New Brave Character Bios and Images


Throughout the many trailers and TV spots we've seen for Pixar's next feature film, Brave, a royal duo have featured very prominently: King Fergus and Queen Elinor. The monarchy of DunBroch, the parents of the film's antagonist, Merida, have been at the forefront of each and every trailer (apart from the teaser), particularly Elinor, and today /Film provide us with character descriptions for the duo as well as previously unreleased images.


The official character description for King Fergus, voiced by Billy Connolly, is:

King Fergus is a heroic warrior with a majestic bear cape, broad sword and a knobby peg leg – the result of his much-regaled skirmish with the demon bear Mor’du. His vendetta against the beast who took his leg makes Fergus a ferocious and determined bear hunter, evidenced by a home full of mounted trophies of every size. Protector of his kingdom and family, Fergus has a heart as big as his triplet sons are mischievous and boundless love for his wife, Queen Elinor. But his pride for his first-born daughter Merida is unmatched, and he has gifted her his great skill and passion for the sword and the bow.


And the description for Queen Elinor, voiced by Emma Thompson:

A vision of grace, wisdom and strength of character, Queen Elinor is fiercely dedicated to the well being of her family and kingdom. As the measured, diplomatic counterpoint to her more impulsive husband, King Fergus, Elinor carries the weight of the kingdom on her shoulders in order to maintain the fragile peace between the volatile clans. Elinor strives to instill in Merida the knowledge and manner of a royal, expecting complete commitment to Elinor’s standards. But her vision of her daughter’s future is at odds with Merida’s rebellious spirit and desire to forge her own path, which ultimately causes Elinor to face calamitous consequences.


Via /Film.

Wednesday, 2 May 2012

New Brave Images Show Merida's Swordplay


Disney and Pixar have released two new images from their next feature film, Brave. These newest images both show the film's fiery-haired protagonist, Merida, practising her swordplay, but are polar opposites in tone. The first image (above) details a scene, presumably, from towards the end of the film, showing a tense, dramatic test of strength, with Merida standing centre, wielding a large sword.

The second (below) shows the very different relationships Merida has with her parents; showing jolly, fun-filled sword practice with her father, King Fergus, whilst her mother, Queen Elinor, lingers in the background, looking her over.


Be sure to click to see the enlarged high-res versions; Pixar never skimp on the detail.

Brave is due out on 22nd June in the US, and 17th August here in the UK.